Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, March 1, 2011

Art-Is-Tree ... the final plug.


Art-Is-Tree will be launched at 2.30pm on Saturday 5th March
Saraghi Art Space
at Cafe Lugano
71 Thompson Avenue
Cowes
Phillip Island

The space is open daily from 9am - 3pm  and you have all of March to view it, it will feature sculptures by Angie Polglaze, ceramics by Sian Adnam and photos by Vanessa Brady.

I've nearly framed everything ... two more pieces to go and we're hanging on Friday.  I've got heaps of spare hanging wire and accessories so let's hope I've thought of everything.  I'll post some picture here after the launch.

And while I'm at it ... a special thanks to Purple Hen Vineyard and Winery for the donation of their fine local produce for the launch.

Monday, February 21, 2011

Art is the Tree of Life

“The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way.  Some see Nature all ridicule and deformity, and some scarce see Nature at all.  But to the eyes of the man of imagination, Nature is imagination itself.” – William Blake, 1799, The Letters

 
Trees and plant have been a part of myths, legends, folklore, worship and religion.  From The Tree of Life, to the Tree of Knowledge, the Banyan tree, Badhi tree, to Sacred Groves and the Christmas tree, trees have given sacred and deep meanings to humans throughout history. 
The many branched Tree-0f-Life concept, symbolising the idea that all life here is related and this illustration is used in science, religion, philosophy, mythology, and for many other ideas.  It’s a motif and a metaphor as well as a mystical concept suggesting interconnectedness in all life.  Think of family trees, evolutionary trees, diagrams showing many branches … trees!
The sacred grove was of great religious importance to a number of cultures, the Celtic, Baltic, Germanic, ancient Greek, Near Eastern, Roman and Slavic polytheism as well as being used in India, Japan and West Africa 
For the Druids, the grove is the centre of their religion, and in ancient Egypt they worshiped the Sycamore tree and gave us the first trees represented in ancient art. 

“Approach a tree we approach a sacred being who can teach us about love and about endless giving.  She is one of millions of beings who provide out air, our homes, our fuel, our books.  Working with the spirit of the tree can bring us renewed energy, powerful inspiration, deep communion.– Druid Tree Love and the Ogham (From the teaching material of the Ovate Grade)

 

Trees have also appeared in literature, playing key roles in JRR Tolkien’s work, which I read avidly as a teenager, but younger still I also remember being quite fond of Enid Blyton’s “Magic Faraway Tree” series.  I was enchanted with trees quite early on.
With so much influence in human history (let’s face they help us exist here by providing our air!) it’s also not surprising that trees have featured in many other art forms.  I remember quite distinctly talking in art history lessons at school about when the first European settlers to Australia started painting and drawing Australia’s trees they found them hard to deal with.  Here were artists that were used to the uniform shapes of trees in Europe, not the straggly, random directions of eucalypts!!  Trees being so symbolic to humans have featured in art since the Sycamore’s in ancient Egypt, to ancient art in China. 
Moreton Bay Fig Tree on Magnetic Island


“Stand Tall and Proud
Sink your roots deeply into the Earth
Reflect the light of a greater source
Think long term Go out on a limb
Remember your place among all living beings
Embrace with joy the changing seasons
For each yields its own abundance
The energy and Birth of Spring
The Growth and Contentment of Summer
The Wisdom to let go of leaves in the Fall
The Rest and Quiet Renewal of Winter.”
– Ilan Shamir, Advice From A Tree

I have spent the past two months thinking about trees and some of my favourite tree photos and the inspiring moments when I took them.  There was one extremely magical winters morning for me in Wangaratta.  I had left my motel room early, for a morning walk.  Wangaratta was covered in a thick white mist, but a bright winter’s sun was struggling to peak through causing an orange-yellow glow on the horizon.  Although quite bitterly cold, it was stunningly beautiful lit morning, the silhouettes, the shadows, the white frost on plants, and the glistening dew all in the early morning light had me entranced.  With camera firmly in hand I walked briskly to a nearby park I had spotted on a map the day before.  I only stopped to take a photo of morning light down Murphy Street.  I soon forgot about the cold, and was glowing with a kind of rapture … I could almost smell the potential photos, let alone see them!  It was just a matter of timing to get the light right.  I walked around an oval and tennis courts, leaving dark footsteps in the frosty grass, admiring the glow of water droplets on everything from spiders webs, to plants and fencing!  I hit King River and I followed it to a walking track through bushland, following more or less the river.  Although the parkland is in central Wangaratta, at times I felt I was in the middle of the bush … well apart from the occasional sights of residential properties across the river, and noising drifting over from the town waking up … oh and the one or two people who crossed my path.  It was just I with the river, nature, my camera, and a brilliantly golden morning light just sneaking through the trees.  A number of photos later, I walked back to the oval to head back to my motel.  As I skirted the oval, I pasted a number of tall gum trees scattered across a lawn.  The sun was streaming through the trees, the mist was rising and long shadows crept towards me.  It had been a morning with so many picture perfect tree moments.
Murphy St Sunrise

Another time a tree had me reaching for my camera whilst driving on a back road in country Victoria.  I had been in Charlton and was heading for Rochester, and rather than take highways through to Bendigo and around (the long way), I decided the take the back roads from Bridgewater.  Heading towards Elmore is a landscape that is really sparsely treed, long cleared for pasture.  As I drove past the end of a dirt road I soon found myself slamming on the brakes.  A lone tree had caught my eye.  I backed up, jumped out of the car to see the lone gum tree set against a blue sky dotted with clouds and put my camera to my eye.  Soon afterwards a ute of grinning country boys hurled past me in a cloud of dust …but by this stage I was happily stomping back through long grass with a maniacal grin on my face, back to the car … I just caught a great image … a great tree.
 
“Tall thriving Trees confessed the fruitful Mold:
The reddening Apple ripens here to Gold,
Here the blue Fig with luscious Juice overflows,
With deeper Red the full Pomegranate glows,
The branch here bends beneath the weighty Pear,
And verdant Olives flourish round the Year.” – Homer


So like to many moments in history, in legends, literature and art, I too have found trees to be inspiring.  So too have my friends and colleagues Angela Polglaze (chainsaw carver/sculptor) and Sian Adnam (ceramic artist) who will soon share some of their tree inspired art at our Exhibition Art-Is-Tree.    Art is the tree of life.


“Acts of creation are ordinarily preserved for gods and poets. 
To plant a pine, one need only own a shovel.” – Aldo Leopold

For My Mum ... who loves trees.

Sunday, January 16, 2011

The ArtyFarty, Soulful Sian Adnam

There’s a third artist involved in Art-Is-Tree, Sian Adnam.  Sian has a career as an artist, and art and design educator that spans over 30 years.  Melbourne born and bred, she and her family moved to Phillip Island in 2000, where she now is the owner and resident artist of Arty Farty Sculpture and Ceramics Studio at Cape Woolamai.  She offers classes in painting, sculpture, mixed media, mosaics and hand-built ceramics, and with the additional bonus of the accommodation she has attached, even offers the option of a weekend away with a private workshop … if you book of course.

 
I’ve actually only had the pleasure of meeting Sian only once so far, early last year, when Angie took me to meet her.  We chatted for a while over drinks and then she gave us a tour of the studio.  I must admit I got quite excited, because as I’ve said in my blog before, I enjoyed pottery as a child … and this was before my more recent efforts … and her studio is very well set up and scattered with examples of her work.  Her work is perfectly suited to the exhibition theme of Art-Is-Tree with her works being inspired by the environment around her. 


Ocean Road

Her pieces (well what I saw of them) include ceramics, mosaics, mixed media and found objects.  I truly loved them, and I have to admit I may have to take her up on the workshop she offered at the time … I could learn a lot from her … plus it’s location, location, location … in it’s own relaxed island life way, with it’s close proximity to the ocean. 
One of the things that really made an impression on me was Sian’s zest for life, and how much she packs into her life.  Not only is she an art educator at a local college as well as in her own studio, an exhibiting and commissioning artist, she’s also one half of a dynamic duo (with festival co-director Maria Reed who is also a photographer and publisher of Coast Magazine) who run Phillip Island’s Art and Soul Festival which is about to have it’s fifth innings.

Catering for all ages, this event will this year move to larger premises to the 82-acre property of Newhaven College, which has views over Western Port Bay.  The festival features over 50 art stalls as well as Rhythm, Soul and Blues music, workshops, children’s entertainment, and local produce to sample.  This year it will also feature a live chainsaw sculpting display by Angela Polglaze and some friends.
Yes, it’s all connected … like branches on a tree … Art-Is-Tree and the Art and Soul Festival … like life really … and art is the tree of life.

Monday, September 27, 2010

Is street art, art?

This is not a creative outlet for myself ... but it is for other people and I have a habit of taking photos of good street art ... or graffiti.  Not all graffiti is street art in my opinion ... so is all street art, art?

I am getting quite sick and tired of the "tag" phenomenon, where graffiti or street art just becomes glorified lettering .... am I just getting old or is this boring for other people?  Catching the train into Melbourne a while ago I noticed that ALL of the graffiti along the railway line was lettering ... or tags really.  On some of them, someone has gone to a lot of detail ... but it's just words that don't mean anything to anyone .... unless you hang out with teenage boys and you know who the "taggers" are ...

I must admit I've been looking at graffiti and street art again, since seeing the movie "Exit through the Gift Shop" earlier this year.  Driving through North Fitzroy after, I recognised a sticker on the back of a sign that was an image by US street artist, Shepard Fairey - who features in the movie. 

Shepard Fairey sticker (the face one) on a sign in North Fitzroy.
I guess in some ways using the same image over and over again is some sort of a tag in itself ... it identifies the "tagger" .... but I far prefer to look at sometime like the face than a word an exaggerate dynamic font!!  There's a "tag" of a cat that is literally across the Western Suburbs ... I've seen it all over the place, in Footscray, Altona, Braybrook, Yarraville ...

Cat tag in Footscray on the side of a railway bridge.
And yes I don't mind the cat .... however I still love it when you come across a piece of street art that impresses you ... that really shows the creativity of the person, who, although breaking a law, is sharing something worthwhile with you.  I go looking for them ... rather than walk down a main street in Melbourne CBD ... why not a laneway?  I found the next piece pictured, in the city recently.  It's in a lane that runs from Bourke Street to Little Collins down the side of David Jones.  It's covered in graffiti ... or street art ... I really needed a fish eye lens to capture it properly ... I should go back one day with a different camera.


But does street art become art when it's actually commissioned?  There's no risk .... the artist is either paid for the work, or at the very least given permission to paint the area.  I stumbled across some recently when I took myself for a walk alongside Moonee Valley Creek (killing time before an appointment!).  I can only assume that prior to the artworks, that the concrete under this bridge was a prime "tagging" spot ... and I really do prefer the end results to a bunch of spray painted lettering.






Wikipedia defines art as "the product or process of deliberately arranging symbolic elements in a way that influences and affects the senses, emotions, and/or intellect."  I guess the fact I've even bothered to write about it in the first place ... or taken photos of it ... makes it art.  It must have affected some senses, emotions or intellect in me.  And if we go by the wikipedia definition (yes I know ... not the most academic of references) then the fact that tagging affects my senses (I hate it) ... well even that may be art.  (Big apologies to my friend Zette about this ... who is still fuming about the local tagger who has written "splash" on her fence .... she would really like to deal with Splash.)

So graffiti is art ... and one of my all time favourite pieces of graffiti is now long, long gone ... it used to be in Moor Street, Fitzroy ... I loved it so much I photographed it, which is great as I still get to share it with people.  It's not as paintly as some of the examples above ... in fact it's quite simple ... and witty ... and that's why I still think it's great.
Simple but witty ... a bit like me at times!